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Chinoiserie

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Back to the books to identify what one means when they use the modifier “chinoiserie.”  Chinoiserie denotes the European love-affair with eastern Asian motifs.  It is often manifested through the use of bamboo, pagodas, lacquer, or oriental scenes.  It finds its ways onto all materials—fabric, wood, wallpaper, and porcelain.  These European adaptations of Asian themes date back to the 17th and 18th centuries.  The motifs are generally ornate and asymmetrical.  Interestingly enough, chinoiserie saw its peak of popularity in the mid 18th century when Rococo—the ethereal, very detailed style—gained prominence.  Chinoiserie’s popularity waned as the neoclassic style once again found center-stage in the mid 18th century.  So, as a juxtaposition for your own awareness, chinoiserie is elaborate, fanciful, and much less ordered than the neoclassic style.  I enjoy just a hint of chinoiserie amidst both art deco and modern furniture, not unlike the room below.

Domicile Interior Design

  19th Century French Black Chinoiserie Mirror - Anne Madonia Antiques

Pagoda Arm Chair – Circa Who

Cochrane Desk – Ballard Designs

 

Wallpapers: La Cage Jade on White Mylar by French American & Koi Chinoiserie by Judit Gueth